If you decide to use this scheme you need to have a sizable pocket book and amazing discipline to walk away when you earn a small success. For the purposes of this material, an example buy in of two thousand dollars is used.
The Horn Bet numbers are surely not deemed the "successful way to wager" and the horn bet itself has a house edge well over 12 %.
All you are playing is 5 dollars on the pass line and ONE number from the horn. It doesn’t matter if it’s a "craps" or "yo" as long as you gamble it at all times. The Yo is more dominant with gamblers using this scheme for obvious reasons.
Buy in for two thousand dollars when you sit down at the table however only put $5.00 on the passline and one dollar on either the 2, three, 11, or twelve. If it wins, excellent, if it does not win press to $2. If it does not win again, press to four dollars and then to $8, then to $16 and after that add a $1.00 each subsequent bet. Every instance you lose, bet the previous value plus a further dollar.
Using this scheme, if for instance after fifteen rolls, the number you selected (11) has not been tosses, you likely should walk away. Although, this is what possibly could happen.
On the 10th toss, you have a sum of one hundred and twenty six dollars in the game and the YO at long last hits, you earn $315 with a gain of one hundred and eighty nine dollars. Now is a great time to walk away as it is a lot more than what you joined the table with.
If the YO doesn’t hit until the twentieth toss, you will have a total bet of $391 and because your current wager is at $31, you gain $465 with your profit of $74.
As you can see, employing this approach with only a $1.00 "press," your gain becomes tinier the longer you bet on without attaining a win. That is why you must step away once you have won or you should bet a "full press" once more and then continue on with the $1.00 mark up with each roll.
Crunch the data at home before you attempt this so you are very adept at when this scheme becomes a losing proposition rather than a winning one.
